Winter Solstice, Australia 2016

Winter Solstice Dawn 2016

Happy Winter Solstice everyone. Here in Narooma, on the east coast of Australia, i watched the sun rise over the beautiful Pacific Ocean and sent out my thanks for life to the sun. The traditional owners of the country here, the Yuin people, address our local star as Grandfather, so i was happy to take that on as a sign of respect for their ways of being here over thousands of years.

The Youtube video embedded here is of this dawn, Tuesday June 21st 2016.

The words are inspired by the evolutionary interaction of the elements, as well as by what i have learnt from Yuin elders, especially the Harrison clan (more to come on this in the City Living, Nature Calling ecomythic documentary film series). I’ve been spending as much time as possible around these parts watching and listening to the sun, the ocean, the sand and the land, the birds and animals around here, the stars at night, the wind and the trees and that deep inner voice that reminds us about what is important.

The sun gives birth to life, which rises out of the ocean. We, along with all creatures, give it body. Every day we are fired back into life by the power of the sun. We rely on the salt water to maintain the basis for life and the fresh water to keep us hydrated. We are elemental beings, with conscious minds, who are sometimes confused into thinking that the sideshow is the main attraction.

The earth, the sun, the ocean, the stars and the other creatures. This is home. This is what matters. When we get our minds and bodies together and remember this we are better for it.

Let the light return and draw you up.

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White People: Dealing with the guilt of colonisation – and responding with generosity

solar eclipse

 

Once upon a time, when I was in the desert of South Australia chasing (and catching) a full solar eclipse, I decided not to join the rave party nearby but instead enjoy a few cold beverages in town with the locals. Amongst these fine new friends was a large, hairy biker. I’m pretty sure he wouldn’t mind me describing him thus. I can’t check and don’t even recall his name. It was just another half hour friendship, as that great folk singer Rodrigues sang about back in the 70s. But a funny thing happened that evening and I write about it now as the conversation has arisen again, this time in Broome, Western Australia.

At one point, I blurted out: “I just can’t get over the guilt of what my people have done to your people.” Did I mention my fleeting mate was Aboriginal? I wasn’t really sure how consciously I had thought about this before, but I was certain it had come up for good reason right then. Because somewhere, in the backs of our minds if not at the forefront, we all know we didn’t end up being modern Australians (or Americans, New Zealanders, Canadians, etc) by inheriting some just and fair deal over land rights. We are children of colonisation, with all that entails – the assumptions of entitlement to development, the religious colourings, the massacres and disease and benefits of more highly advanced technologies. Denying this won’t do us any good; the truth may be well hidden, behind vast reams of other stories, but once we know it exists we can never really shake its hold somewhere in our conscience. And if we want to be better people – happier, more comfortable in our bodies, feeling more at home where we live and work and travel, more consciously aware of our patterns and potentials – then lying to ourselves is definitely a barrier. So, out with it; I’m sorry about the way Australia was colonised, I’m not happy about the way I benefit from this with my mostly unspoken white privileges, and I wish it had been done differently, better, with more care, more sharing, more questions and compassion and understanding. For all concerned.

So there was my blurt and here was his deadpan response: “Get over it mate.” Um … OK. No further comment, from either of us. He didn’t feel the need to give more context – it’s the kind of comment that stands alone, that brooks no compromise, that sets the bar and then walks away, hardly even concerned whether I can jump it or not – and I didn’t see what I could add, subtract, hedge my bets against, conjure up or fluff along. I accepted it, in the spirit it was meant – the spirit of moving on, of harsh but real acceptance, of gruff forgiveness, of the recognition that we as individuals are not responsible for what went on decades and even centuries before, that we should be focusing on getting along right now, in the present moment, with its endless opportunities. Then he shared a piece of black glass with me, to watch the solar eclipse through. That’s a cool memory.

 

boab and beach

 

But I digress. Reconciliation. Between the people who lived here when our ancestors got here (the collective ones, the British and other western Europeans in this case) and us, the white fellas and other new Australians (and Americans etc). How do we deal with the painful history we know exists and move on, so that we are not shackled at the feet by guilt and remorse but not living in denial either? I’ve found a semblance of balance in this regard over the years and it’s time to share it. Because here in Broome, the other day, I met someone working in food sovereignty – helping locals in the community create wonderful vegetable gardens, promoting local produce, harvesting wild foods without compromising the carrying capacity of the land – who expressed her profound disquiet about exactly this issue. And it felt great to be able to help, if only in a small, seedlike way.

It goes something like this:

  1. Face it – the dark truths of colonisation, violent dispossession and all
  2. Sit with that for a while – if it doesn’t feel uncomfortable, it’s being repressed (again)
  3. Admit you benefit from it
  4. Position yourself in this life – you did not choose to inherit unfair privilege
  5. Recognise your relative power in this social structure – and your choice as to how you respond
  6. Rebalance, holding the spirit of generosity out in front of you, in your open hands
  7. Forgive your ancestors, and all who have gone before us, so that they can know peace (even if it is only in the depths of our own minds)
  8. Know peace – and spread it.

What this all boils down to can best be described in a kind of martial arts move: maintain your balance, as best you can, while you accept the incoming movement of this energy or force, realising that the knowledge sits all around you, especially behind, while in front of you, in your hands, you retain the capacity to respond with generosity, to know yourself as free, to give compassion and to be … more. Get over your guilt, white people, by facing it and going through it and coming out the other side. Otherwise, we perpetuate the cycle of inequality, of repression, of colonisation and its shame.

Easter Inspiration – Ecological Spirituality beyond Commercialism and Christianity

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Easter is a ceremonial celebration of life. The Resurrection of Jesus signals the soul’s victory over death; we rise to the heavens once we depart this world, the myth tells us, so long as we align our earthly lives with that divine realm while we are here. This is a religious model built on an ancient pattern; in nature, we see life burst forth from death all the time. Spring in the northern hemisphere is a concrete signal of this. Out of the depths of winter, finally the new sun hits the world, warming up the frosty ground, shaking buds to life on what looked last week like withered branches, even calling cute lambs from the wombs of woolly ewes in the fields. The seasonal cycles continue, from birth to growth to death and back again, drawing new life out of the great mystery, the darkness is the womb or matrix of the universe, the life behind life out of which all is born and to which all returns.

You can see why reincarnation is such a popular idea; it is just another version of the same universal paradigm, applied to the human soul. And when we pay attention to who we are within, we do find we are part of a wider nature without, the physical world of all beings, to whom we are related and to whom we owe our loyalty. Deepening our attention to this cycle and to our place in it can help us to get more in touch with our own innate sense of an ecological spirituality; a sense of the sacred in nature and in ourselves.

Easter_Bunny

The idea of Jesus and/or the Easter Bunny is a way of trying to link these mortal lives of ours to that Sacred Mystery, in one way or the other. For Christians, the religious model works to bring the divine into life, using the myth of Jesus to help us see the glory of God, in our hearts and in the world. In the secular world, the Easter Bunny brings magical gifts of abundance from an invisible realm, beyond the rational world. And this brings us to the problem of the sacred in the consumer capitalist world of commercialism. Commercialism consolidates the commitment to materialism that is part of a capitalist society, so that our intuitions of a better world, with higher values and more widespread compassion, are too easily consigned to the shelf of dusty ideas, past their use-by date or too ‘unrealistic’ to take seriously.

DCF 1.0

Ecological spirituality is not against materialism; in fact it is a new kind of materialism; but one that takes our bodies and the physical aspect of life on earth far too seriously to side with the slide into lazy consumption, which is promoted as the good life by the propaganda machine of global corporate marketeers. Ecological spirituality requires taking seriously what goes into our bodies, what ‘resources’ – aka other forms of life – are used to fuel our lifestyles; in other words, how we work with the earth rather than assume a false order of mastery over it and its other peoples and creatures. Without this dimension of care, spirituality is merely another version of escapism. We need to underscore this at times of seasonal celebrations such as Easter because as White Fellas – or those who were not born out of the ancestry of their land, such as in Australia or North America – we have a duty to try and better understand our ‘country’ and its original peoples. In any case, now that ecological crisis is finally becoming apparent to all but the most hardened ideologues, loyalty to the earth must be paramount in our relationship with what we hold sacred. And to hold the earth itself sacred is not only a real aspect of most religious perspectives, it is a vital and living part of the Australian Aboriginal way of life. And this is something we can learn, both from wisdom traditions and from attention to our own inner knowing.

One of the ways to deal with our current set of dilemmas is to be even more inventive with technology; in fact, we already know how to scale fossil fuels out of the equation with renewable energy sources, we just lack the political will and vision. But another way is to recalibrate our relationship with the rest of nature; to reconsider the way we think about the earth, so that it is not merely a resource but a place we hold sacred. One of the keys to making this shift real is to recall our own deep affinity with nature – and one of the best ways to see that this can be a real source of deep satisfaction; of a materialism beyond consumption; of an ecological spirituality – is to consider the Aboriginal inhabitants of this ‘country.’

Indigenous_Australian_Arnhem_Land_cosmogony

Aboriginal Australians consider their ‘country’ to be not only the place with which they identify; it is an enlivened spiritual cosmos, filled with other parts of nature that have just as much right to live and flourish as humanity does. The way to live right with this kind of natural environment is to build relations with it. To consider the river as a really alive, flowing source of replenishment, for people and for life itself; to consider the eagle as brother, the kangaroo as kin, the sky as part of the web of life. And to be responsible for part of this, via a totemic system, so that I may need to protect the Bilby Dreaming of our particular ‘country’ while you may be responsible for the Native Grass Dreaming. The system works by organising everything and everyone into a nested series of cares, where we all share empathy and compassion for all of life, together as parts of the pattern.

So; what can we rediscover about the hope held out by an Easter festival in contemporary terms, when we stand outside of conventional Christianity, on an ancient land, with secular freedoms? We can consider Easter’s iconic imagery of the Resurrection, which is in turn a version of a much more ancient idea; that we can transform who we are in real terms, in the body, with a kind of rebirth out of ritual. When we think of the mythic story of the crucifixion and resurrection of Jesus the Christ, we can’t help but recall the Mystery Schools of the Greeks, who likewise spent time in dim caverns, spending their symbolic dark days and nights of the soul being inspired by personal experience that went beyond the limits of the personal, so that they could be transformed in their everyday lives in alignment with a greater vision of what is possible.

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Eleusis, a site of the Greek Mysteries, dedicated to the goddess Demeter; the grains on the left of the carving represent new life out of the earth, a physical and spiritual symbol at the same time.

If ever there was a time we needed to tap back into this deep stream of European and Levantine wisdom, this was it. We can re-find inner riches in ecological spirituality, which also link us to the rest of nature, to the other creatures and even to the landscape itself, all of which now requires protection from the worst ravages of the human race. White Fella Dreaming subscribes to all of this, as a counter-culture to the dominant paradigm and its damages, in the hopes of transforming modern society to a more sustainable set of practices; and we need to do this within ourselves, at the same time as we activate it in everyday life and in the wider community of the planet. And we have inner resources, our own links to early practices like this, and existing wisdom traditions of this land to learn from.

Thanks for reading. And have a regenerating and transformative Easter.

*This is a short version of my Easter Sunday service given at the Unitarian Church in East Melbourne, Australia, April 5th.

Images: 1. “Lubok of Resurrection” by Anonymous – Музей народной графики. Licensed under Public Domain via Wikimedia Commons – http://commons.wikimedia.org/wiki/File:Lubok_of_Resurrection.jpg#/media/File:Lubok_of_Resurrection.jpg. 2. “Easter Bunny” by Littlerockphoto – Own work. Licensed under CC BY-SA 3.0 via Wikimedia Commons – http://commons.wikimedia.org/wiki/File:Easter_Bunny.JPG#/media/File:Easter_Bunny.JPG. 3. “Osterbrunnen-Bieberbach-Details” by User:Franconia – Own work. Licensed under CC BY-SA 2.5 via Wikimedia Commons – http://commons.wikimedia.org/wiki/File:Osterbrunnen-Bieberbach-Details.jpg#/media/File:Osterbrunnen-Bieberbach-Details.jpg. 4. By Arapaima [GFDL (http://www.gnu.org/copyleft/fdl.html) or CC BY-SA 3.0 (http://creativecommons.org/licenses/by-sa/3.0)%5D, via Wikimedia Commons. Sketch trying to illustrate the Arnhem Land North Coast Indigenous Australians cosmogony, as described by David Gulpilil in the australian movie “Ten canoes” made by Rolf de Heer and Peter Djigirr (sketch derived from a painting by Johnny Bulunbulun, a Ganallingu artist working in Maningrida). 5. By Carole Raddato from FRANKFURT, Germany (Eleusis) [CC BY-SA 2.0 (http://creativecommons.org/licenses/by-sa/2.0)%5D, via Wikimedia Commons.

The Cosmic Walk

The Cosmic Walk has amazing similarities with my work and the Ancestral Movements of my last post. While all three approaches embody the same philosophy, the Walk is a song, which relates the path and time scales of evolution, and then has each participant walk the spiral of time from the big bang to now.  As each participant walks the entire history of the cosmos, we all chant along the simple chorus:

     “I am as old as the universe, I’ve been here before and I’ll be here again;

      I am a child of the universe, a part of all women and a part of all men.”

Moon Court Brass Spiral

The beautiful brass spiral used for the Cosmic Walk at Moon Court, home to some of the events run by Pagaian Cosmology

The song “Child of the Universe” was written by British singer songwriter Theo Simon in the early 1990s.  It originally had four verses. At some stage John Seed, tireless activist in defence of the earth and developer of the Cosmic Walk concept, heard the song and requested Theo to write an additional two verses to complement the walk as an entire musical experience. The cosmic walk was originally devised by Sister Miriam Therese McGillis of Genesis Farm in New Jersey, a colleague of Thomas Berry (The Great Work) as a symbolic re-enactment that helps us enter personally into the story. Participants walk around a spiral that represents the entire story of the unfolding and gradual differentiation of the Universe and the Earth from the beginning to the present – and to us! 

John saw that with additional material, Theo’s song could extend to the epic it now is, ready to carry the whole story of the universe into a performance that can be enjoyed by groups anywhere. You can see John tell this story and sing the song here, at MoonCourt in the Blue Mountains of Australia, which has a brass spiral inlaid in the floor representing the Unfolding Cosmos for the telling of the Universe Story. John had been facilitating an Earth, Spirit, Action workshop during which that story – our Story – was told. 

The verses of the version sung at Wild Minds were sung by Helena Read, who herself has performed it on stage with Theo’s original band World Without Walls, unbeknownst by the Triple Ecology gang* who asked her to join them. Synchronicity abounds in this work.

The full lyrics can be heard in some renditions of the song, found here. Theo now performs it with his band Seize the Day along with this extensive repertoire of folk music in the British tradition of social and ecological activism. 

You can imagine how the Cosmic Walk is a similar experience to Ancestral Movement, although where that practice literally embodies the animal forms that have been integrated into our physical selves, this one is more in the style of the labyrinth walk. It is an occasion for meditation on the incredible journeys our bodies have undertaken from the bursting forth of the universe to this moment, pregnant with significance. Carried by the crystalline wave of the chant, we walk, sing, hum, and re-place ourselves exactly where we are. Try one as soon as you get, find, or make the chance!

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*The Triple Ecology gang (as I have just dubbed them) are holding an event in April (24-26) devoted to sharing the learnings of three frameworks: Sacred, Deep and Healing Ecology.

Wild Minds; healing, dance, storytelling, wisdom and community

shutterstock_59945146-campfire

I just spent the weekend at the second annual Wild Mind gathering. This event is filled with workshops and presentations that engage participants around themes very familiar to this site: the interconnectedness of human and natural worlds, the empowerment of the individual in a setting of wisdom traditions, and conversations amongst this wondrous more-than-human world.  I was very happy with my offering, as i got to tell White Fella Dreaming stories around the campfire on Sunday night. I think i have discovered the perfect setting for my work; the same one utilised for the building of culture since the dawn of human consciousness. With no script or even much of an agenda other than to share the spirit of this work, i drew on Joseph Campbell’s ideas of what makes a successful mythology and leaped into how we could find this innate within each of our souls, as well as learning respectfully from indigenous traditions such as (and especially!)  those of the Australian land.

What a rich ride it turned out to be. An appreciative crowd, with an appetite for stories that embed us more deeply in the sacred nature of the earth, in the majestic spread of the cosmos, in our humble, wonderful hearts. Thoughtful questions and comments allowed us also to explore a couple of areas in particular the prevalence of a sense of shame amongst modern westerners. This is not an area i have worked very thoroughly, so the excursion was welcome, especially as it was raised by my great mate Nic Morrey, an experienced integral psychotherapist. My initial response came from both my own personal experience and my understanding of the history of civilization. For me, the context of the agricultural revolution behind all large-scale societies introduces the depersonalisation of nature, as it sets human industry up as the master of the environment. We channel the waters with irrigation to increase crops and increase the mating habits of domesticated animals in order to profit from thee activities. In turn we build cities with the surplus energy, which also must be stored, creating a need first for walls and then for armies. The goods must be protected.

The_walls_of_Babylon_and_the_temple_of_Bel

Humans being intelligent and perceptive creatures, we sense the unevenness of all this force, the danger of stepping out of our former place as hunter-gatherers living in balance with the rest of nature (or at least in much closer contact and with mush more respect for its limits!). Early agricultural societies even performed guilt rituals in light of this recognition. Like many members of a colonising force – a new Australian who profits, whether i want to or not, from the subjugation of the misunderstood indigenous inhabitants of the land – i have felt it necessary to examine my feeling of guilt about this violent appropriation. But that was some time ago and i have healed that wound. Today, i love my own soul, as a person born on this land, seeking more and better ways to live in touch with it and to spread respect for the First Nations peoples who still live here, as well as for their ancestors and for mine.* But Nic pointed out that while this history of depersonalisation could be healed, the prevalence of a sense of shame in modern individuals requires a systematic, or at least well thought through, response. For him, there is an archetypal pattern being worked through in each of us, from original connectedness, through a necessary rupture, and back to a consciously negotiated peace settlement. This would equate to an evolutionary path, which works much like Hegel’s Phenomenology of Spirit, through an antithetical force to a higher synthesis of complexity – which is my favoured definition of evolution. (Nic used a Vedic metaphor, from originally blissful Brahman through Shiva the Destroyer to the Shakti power of Divine Love. I’ll leave it to him to correct me if i got him wrong on this!)

As another friend James O’Brien pointed out, this is another way the myth of Genesis can be read; as a “Fall” into consciousness, out of the original Garden of Paradise, which forces us to work our way back to the Divine though hard work. I can’t help but always remind us of the very agricultural nature of this metaphor, though, which returns me to my original thesis about cultural and historical context …  and around and around and around we go. Wherever we find ourselves on this spectrum of possibility, we have to deal with it somehow. And my sense is that healing is always contingent; that we must revisit these wounds, within ourselves and our world, whenever we are faced with them, so as not to turn a blind eye to the ongoing suffering they cause when unattended.

Bush_in_fog

There was so much more going on in this fireside session of story-telling and across the whole weekend. (For more see here) What a rich way to spend some time, in the company of so many inspiring people, all working towards the same sense of community, supportive in times of need, evolutionary in focus, awake to the riches within the self and the earth, dancing freedom and holding space for the way we work with limits and love in sometimes trying times. Here’s to many more Wild Minds!

*There was also a fantastic workshop by Simon Thakur on Ancestral Movement. Simon’s position on ancestors is the same as mine as outlined here. I’m going to have to write soon on the ideas he is working with: that we embody all other creatures, and in fact aspects of the entire evolutionary process, in our own bodies. The obvious result of tapping in to these ways of moving is that we discover new levels of empathy with all life. Exciting work! Another highlight i want to write up that includes very similar ideas and experiences: the Cosmic Walk. Coming soon.

Images: 1. Purchased. 2. “The walls of Babylon and the temple of Bel” by Drawing by Mr. William Simpson R. I., and published by Prof. Charles F. Horne – Scanned from Sacred Books of the East *Babylonia & Assyria* editorship by Prof. Charles F. Horne (copyright 1907). Drawing by Mr. William Simpson R. I.. Licensed under Public Domain via Wikimedia Commons – http://commons.wikimedia.org/wiki/File:The_walls_of_Babylon_and_the_temple_of_Bel.jpg#mediaviewer/File:The_walls_of_Babylon_and_the_temple_of_Bel.jpg. 3. “Bush in fog”. Licensed under CC BY-SA 3.0 via Wikimedia Commons – http://commons.wikimedia.org/wiki/File:Bush_in_fog.jpg#mediaviewer/File:Bush_in_fog.jpg

The Moon in Australian Aboriginal and White Fella Dreaming

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In many indigenous myths, the moon waxes and wanes because of the greed or selfishness of an ancestor spirit. Whether lusting after an unavailable romantic partner or feeding endlessly on a special foodstuff, often sweet, this character ends up displaced into the night sky, forever to repeat the pattern of unrestrained appetite, to fullness, to the wasting away that is its cosmic recompense. Ultimately, the moon/character is reborn, but this act of seeming divine forgiveness is once again sharpened by the karmic lesson it must teach us mere mortals; endlessly, the greedy one must repeat their transgressions and pay the price. It won’t learn, which should be enough of a reminder to us that we must – unless we also want to repeat destructive patterns forever.

 

We all know traditional cultures, including our own, looked to the night sky and told stories about what was seen there. Can we, as moderns with scientific knowledge, still learn from these stories? Part of what White Fella Dreaming seeks to do is to draw those threads together; to be true to what we know of the world and ourselves, today (as Campbell exhorted), but also to learn from wisdom traditions at the same time. We know the moon waxes and wanes according to its orbits around the earth and the earth’s cycles around the sun. But the old stories mean a great deal, if we are prepared to listen. They can put us back in touch with the laws of nature, both inner, in the human psychic world, and outer, in the environment. How? Check it out.

 
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The greedy character acts against others in order to fulfill their desires. The endless loop of their gratification and demise in the sky teaches us to take care of others when we act upon our appetites. This applies whether our tastes run to sweet nectar from the trees or that gorgeous young lady who is already promised to another, or who loves another, or who has the wrong skin name. (Interestingly, in Australian Aboriginal mythologies, the moon is often male.) The moon’s constant demise in the second half of its cycle, from fullness to death, teaches us to curb our desires, to let it go, to recognize that our appetites won’t always be sated. Same goes with the fruits of the land; in the hunter/gatherer world of feast and famine, it doesn’t do to long for more of a crop that is going to be lean this season, or to let others go hungry, or to force them to work for your greedy desires … others must be considered, if we are to act in a civilized, sociable manner. Tighten the belt, accept a measure of suffering, give up on something you thought you had to have, allow your desires to be ‘educated’ (as suggested by utopian theorists Miguel Abensour and Ruth Levitas).

 

We don’t only have something to learn in regards to our inner lives here. We also need to relearn the lessons provided by the long days feast and famine that are coded into our cultural codes; to curb our material appetites, in order to align our human ways with the laws of nature and be true to the earth again. The oil bubble, combined with the industrial revolution, working on top of large-scale agricultural civilizations, has led us to an era of unprecedented plenty. It’s hard to exaggerate how much this means: in the privileged centres of western (and any technologically advanced) societies today, we are gorged on an eternal feast in cities of light. This is an entirely new level of abundance and one that we cannot deny for its power. We are drawn to it like primate moths to a flame. And I am not merely suggesting a move away from abundance, technology, modern life or our highest hopes for al humanity here. But what I am suggesting, as I listen to the moon – exactly at mid-point in its phase tonight over Eltham, a perfect semi-circle lit against the night sky and the ringtail possum walking the tightrope of an electric wire past my front verandah – is that we need to remind ourselves of the cost of this feast. We are the ravenous man now. Modern global civilization is acting as if it can have everything and will not have to ay for its greed and selfishness. And we know, in our hearts, that this is true. I’m just reporting that the wisdom traditions still speak that truth. Go outside at night and listen to the moon. It will tell you; restrain your desires and think of the earth’s others. Or accept the same destiny as befell all of those that have come before you, who were placed in the sky to remind you of the danger. Before it’s too late.

 

 

Images: purchased from one of those megacorporation places. Sometimes i do it.

The Modern Goddess

I’ve been waiting for a powerful dream to contact you with next. Finally, she came last night. I didn’t call her in, or pray for her help, or undertake any of that kind of begging. (Not that I couldn’t be accused of resorting to these tactics at other times, mind you.) She just slipped in, quietly, mysteriously, to watch the human drama unfold. Was she touched? I couldn’t tell. If our sets of agonizing, playful, colourful actions had any effect on her at all, she didn’t show it. But now that I have made contact – or rather, she with me, or better still She with my Dreaming – I’ll be sure to go back and ask. After doing ritual, natch. She deserves respect. I’ll call her the Modern Goddess and ask her what she thinks. What we should be doing. To intervene. In the drama – helping, where we can, like Kwan Yin or Avalokiteshvara, or Sweet Blessed Mother Mary, or any other dispenser of compassion beyond understanding. But also to maintain balance within ourselves, to play our part in being intelligent animals in touch with the sacred, informed by it, trying to walk in it.

 

Red Velvet chair2

 

We were in a large, open auditorium. It was regally plush, with rich, deep green velour wallpaper, accentuated by golden trim. There’s a stage nearby and as there is about to be a performance of some sort, I look for a good seat. Behind the stage is a set of ornate chairs and benches, which seem to face the action. So I head over there and, being first to arrive, choose a fine seat with crimson velvet upholstery. Very nice, I think, until I see another man pass me and head up to much better seats above. He asks me what I am doing down here as he takes up the second best seat in the house; it is a high-backed chair, right next to a magnificent throne, of dark materials so rich they are obviously meant for royalty and no less, which is placed top and centre of the dais upon which we will sit. I am emboldened by the other man and take up the equally regal chair on the other side of the throne.

 

Velvet throne2

The rest of the seats fill up as the lights go down in preparation for the action. Just at this moment a woman enters silently from behind us and takes her place in the throne. It feels exactly right, although there is nothing to indicate what she looks like or why she seems so comfortable in this place of honour. The play begins in small scenes enacted in different places around the auditorium. It’s a piece of theatre with ‘shifting’ sets, a postmodern piece that decentres the point from which the audience views the action, including them in the drama.

 

V0042383 A young woman wearing a veil and black clothing mourning at

 

When my consciousness shifts from the reality of this otherworld to the everyday, waking one, I wonder why she was so silent and so unannounced. Is She humble? Perhaps She is so powerful that She requires no introduction, as they say. Does She care? While I see no evidence of this, I ask myself why She would come at all if she had no interest in our human drama, which also has such a profound effect, now, on the state of the rest of the planet. I hold gently the awareness that I am her left hand man; a subtle contrast to the right hand man of the patriarchal Father, the warrior who carries out His orders regardless of feelings like compassion or pity. From here, I get to feel everything, and serve Her with conscience, finding balance between the God and Goddess powers within and without. She asks not for my unthinking devotion; quite the opposite. I am forced to think for myself, to make decisions based on whatever information I have at hand, to feel for the Earth and to remain loyal to its people, to choose to fight for them. She does not need to see the pendulum swing against the Sacred Masculine, for she is already awaiting us, at the centre, holding His hand, married to the light from her sacred abode in the darkness. She is the silent, unnamed Tao, which does not require defense. And She calls us on to the good fight, which is carried out in our own hearts and minds and souls and bodies first, and then in the world; paradoxically, at the same time. It’s a matter of intent and clarity of action. Blessings Be and welcome to the tribe, She says, and I follow her.

 

 

Images: 1. By Munna (Own work) [CC BY-SA 3.0 (http://creativecommons.org/licenses/by-sa/3.0) or GFDL (http://www.gnu.org/copyleft/fdl.html)%5D, via Wikimedia Commons. 2. By Jebulon (Own work) [CC BY-SA 3.0 (http://creativecommons.org/licenses/by-sa/3.0)%5D, via Wikimedia Commons. 3. See page for author [CC BY 4.0 (http://creativecommons.org/licenses/by/4.0)], via Wikimedia Commons. 

Becoming Deep Ecology

From Ecocrit to DEGeoff Berry presenting at the OASES Breakfast Seminar

This brief video explains a little about Deep Ecology; especially, what it does. In it, Geoff Berry, of White Fella Dreaming, describes the shift from being an ecocritic to becoming a deep ecologist. The key to this shift is around the lives we lead; being true to Deep Ecology means taking action, as well as accepting an idea, and hence using philosophy as the medicine with which we constantly remake ourselves as ‘sacred animals.’ While ecocriticism gives us great tools to deconstruct and decolonise our minds, it still leaves us outside our own stories according to Berry. As an example, an ecocritic analyses literature and film from ancient to modern, religious to scientific, to examine what it says about human relations with the rest of nature – while Deep Ecology asks us to take up the challenge of living as if we really were loyal to all aspects of nature.

Berry believes that by taking Deep Ecology seriously, we can regain access to wisdom traditions and experiences that enable us to live in accord with a higher, deeper, greater version of ourselves, which is always waiting to be birthed into life. This involves us in having our own practices as well as learning as much as we can from indigenous epistemologies and the ways of nature mysticism. This presentation was made at the famous OASES Breakfast Seminar series in Hawthorn (Melbourne, Australia) on Saturday 7th February 2015. There were some good questions and Geoff thanks the OASES community for keeping this tradition of public speaking alive and inspiring a very healthy crowd to engage with this ecospiritual material.

How Do We Relate to the Elements? In rock and ritual

GB sevs

What White Fella Dreaming supports is a way of being that allows every facet of every potential there exists in the human framework to be made possible to us right here, in the body, while remaining true to the earth and to its inevitable limits also. This is sometimes known (erm, well at least by me and a handful of other brave or foolhardy souls) as ecospirituality, or embodied spirituality – allowing that we, as individuals, can enjoy our own relationship with what we deem sacred, within ourselves as nature and within the ecosystem of which we are but a small part. To use some religious language, we recognise ourselves as the holy, or the divine, as this force exists in and through us, as we experience it, as it is communicated to us and through us as human beings. To throw off the shackles of received conventions, in the sense that any priestly caste could speak for us, and to realize that relationship for ourselves, in alignment with our own conscience, with intellectual integrity and critical thinking coming along for the ride; as independent, mature thinkers with a full emotional life and deep respect for the body and its innate wisdom as well. And celebrating this in ritual, so that we don’t forget.

 

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Rituals of letting go of the old to make way for the new: burning down the house – and the man – at Burning Man

 

But dispensing with traditions we don’t need any longer does not mean turning away from ancient traditions altogether – in fact, far from it. If anything, we need the wisdom of the elders more than ever right now, to remind us how to be human without necessarily relying on technological or other crutches, without getting too caught up in the consumerist materialism of the global marketplace; to bring us back to earth and its inevitable cycles of feast and famine, or at least to the lengthening and diminishing of the light as it arrives here, the filling and emptying of the moon in its lunar cycles, the way that seasons come and ago with regularity but also with change, with multiple sets of co-respondent signals, with differing facets of symbols and meaning depending on our shifting circumstances, needs and relationships.

 

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The body of the earth, the clay out of which we arise

If we are going to enjoy a truly embodied spirituality we need to align ourselves with the things that make up our selves: the earth that is our bodies, the waters that flow through us, the air we breath in and out, the flame that ignites our warrior spirits. There are plenty of systems that deal with these kinds of relationships, but none better than the one that states it is your right to figure out your own way of weighing up how these elements are allocated to your personality – to the extent that your personality is a stable entity at all. This stuff shifts all the time, so listen to your soul! Wake up to your dreams and to your Dreaming, hear the spirits call your true name from the depths, within and without, and respond in the way you live: true to self, to earth, to fresh air and water, to the quickening of fire on fuel and to the emptiness that is exactly fullness in every moment of your life.

 

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The face of the deep

There are gateways of metaphor everywhere and these lead us beyond metaphor to a deeper experience of reality. Water is our feelings, your tears, the oceans of unforgettable memories; the flames of passion drive us to love and war; the body limits us to plod like clay and also allows us to dance like leaves on the breeze; air is thought, as free as a bird, filling us with life in a lungful of oxygen. This is all to be celebrated, in the danger of great, uncontrolled feelings as in the embrace of all that is, as it supports every part of our being; as it is in this song by punk industrial art rock band The Severins:

 

Oxygen

I wanna be kissed by your fire

I wanna be washed in your tears

Oxygen;

I need another hit.

Grounded;

I’ve gotta feel the clay

Find me, thrill me, lose me, kill me.

I wanna be appeased by the presence of your anarchy.

Repeal the need for torture in your sense of wiccan ecstasy.

I wanna be kissed by your fire;

By your flames, by your uncontrollable passions.

I wanna be washed in your tears;

In your oceans.

Oxygen

I need another hit.

Grounded

I’ve gotta feel the clay … I’ve gotta feel the clay

Youtube link: https://www.youtube.com/watch?v=W3btmXLQ3Rg

Words and singing by the author (Geoff Berry, albeit in a younger body); music by The Severins: Steve Bruce (drums and a substantial portion of arrangement), Richard Anderson (bass and good looks), John Wilson (guitars and atmosphere).

Images: The Severins, still shot from video, Central Club, Richmond, Melbourne, Australia, by Optus Pay TV. Water (sea): “Nordsee Wellen” by Muns – Own work. Licensed under CC BY-SA 3.0 via Wikimedia Commons – http://commons.wikimedia.org/wiki/File:Nordsee_Wellen.JPG#mediaviewer/File:Nordsee_Wellen.JPG. Fire: “Burningman 0078”. Licensed under Public Domain via Wikimedia Commons – http://commons.wikimedia.org/wiki/File:Burningman_0078.jpg#mediaviewer/File:Burningman_0078.jpg. Clay “Clay-ss-2005”. Licensed under CC BY-SA 3.0 via Wikimedia Commons – http://commons.wikimedia.org/wiki/File:Clay-ss-2005.jpg#mediaviewer/File:Clay-ss-2005.jpg

Rainbow Serpent Dreaming – it comes to heal

The Enchanted Path

Dedicated to the Lightning-Tongued Rainbow Serpent of the Deep Fresh Water in the Yarra Yarra River, who appeared to me on this day and brought its healing powers for all to share

I set off on my bike for an afternoon ride, in the fresh air and down by the river. First i pass some neighbours but don’t stop to say hi, recalling that my loyalty is to country. The reason i keep coming back to the people is to tell them the stories (although i know too that i need to make a home in society, that it’s a necessary crucible for my experiences as a conscious human being).

The it’s off down a bushy track, following the path of  enchantment. At one stage i get off my mountain bike to walk through tall grass (over 2.5m high). This overgrown track may reveal a snake if i am lucky and quiet enough. But what i find instead is an irresistible challenge – a fallen tree, across the creek. Crossing it, i remember my place in the world – walking the fine line, always honing my skills to make sure i can cross between the worlds and return with the gifts of healing and power for my people. On the other side, i see that the return trip starts out narrow, so i make extra sure i am centred, balanced, fluid enough to walk with the confidence of knowing. Just knowing; the truth, my place in it, the endless beauty of the world.

Fallen Tree across River

Returning through the tall grass, i figure out that if i want to see the snake i must become the snake. So basic, the elementary lesson of tracking. It must be, i laugh to myself; because I know nothing. Then, back on the river bank to pick up my bike, i bow in silent gratitude to the river. Thank you, master, for the challenge.

Tall Grass Riverside

Following my intuition (and recent discoveries on similar rides and walks), i soon head right towards Westerfolds Park, riding alongside the Yarra River. Again i head off onto a rough track as soon as possible, this time one that leads towards direct access to the river. Not asking for anything, i just open to listen to what nature has to teach. Breath rises from around the bend downstream, blowing gently upstream and eventually caressing my face and body gently. Then, after I thank the fresh water and air spirits for their presence – and for mine – the next voice literally blows my mind, as it reveals to me healing power from the otherworld, the place within this dimension that nourishes all worlds and brings us closer to the higher, deeper truths within them.

A lightning tongue comes flashing along through the water, from the same direction downstream and directly towards me, before rising up and out of the water and into my body, at the abdomen. It speaks to me as the Rainbow Serpent and it brings me healing, as I see glorious colours rippling in the late afternoon light on the river. It shimmers through the water; in silver, in red gold, in iridescent purples, taking form sometimes in a clearly visible serpent shape; snaking towards me in diamantine patterns, while at others dispersing to snake across the river in scattered lights and colours at their own pleasure. As I raise my arms in exultation, to better receive the glowing power of the spirit, I am given to chant: Lightning-tongued Rainbow Serpent of the deep fresh water of the Yarra Yarra river, I accept your healing power. And as I accept it, and am healed by it, I promise to offer it to others; so that they may be inspired to do the same, and your honour is re-lit for the current times. We know the ‘gods,’ the archetypes, live through this kind of ‘belief’; worship, attention, re-creation giving them breath and keeping them alive. But the dreaming spirits of this country … the black fellas tell us they exist independently of human society; that they speak directly from the earth, water, air and other material manifestations of spirit for any who will quieten themselves and listen.

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Time to turn this experience to ritual, so that i can recall it for healing, share it with others, keep it alive for the people. I had been praying that Pegasus would show me how he handles lightning, the thunder bolts he wielded for Zeus. I knew i had to be very well grounded to handle that kind of power; but i had it the wrong way around. Surprised, i realise now that I needed to figure out how to draw the lightning power up from within the earth, where i was already grounded, through ritual. The Rainbow Serpent Lightning Spirit of the Deep Fresh Water of the Yarra Yarra  comes up from where the river cuts through the land. This is where water rests, at the lowest point. With the Tao – and with the wound. This is where the healing power enters the body – at the deepest point, where our wound opens us out to the rest of the world, and to the otherworlds. It is perfectly safe, once the rites are performed, and the Spirit transports us into another dimension of our own experience. One that showers honour upon the earth, accepts blessings in return, and strengthens relations between. Gain blessings without end, by listening, and speaking that truth. Rainbow Serpent comes to heal.

All photos by author.